Aristotle Has Dirt Under His Fingernails!

“We are what we repeatedly do.  Excellence, then, is not an act, but a habit.”  – Aristotle

I love philosophy.  I like learning about various ways great thinkers throughout the ages have viewed this world and our place in it.  And I find it really interesting to see the progression from one philosopher to the next and how they built on, refined, or refuted the views of those who came before them.  So it is really interesting to note the differences between Plato and his student, Aristotle.  At the risk of oversimplifying, I’ll try to sum up a couple of their differences here in a few words: Plato was very much concerned with the eternal realities, things that are unchangeable.  To him, everything on earth was a fuzzy version of the perfect ideal, and it was this immutable, eternal ideal that held his attention.  Aristotle, on the other hand, preoccupied himself mostly with our world – a place that is in flux and always moving, growing, and changing.  He liked to get close to the ground, observe the flow of life and nature, and he was fascinated by the very changeability of things, and how they moved towards their potential.

There’s a wealth of wisdom to be taken from both Plato and Aristotle, but I want to focus on Aristotle for now because this quote really hits the nail on the head for us horn players.  There are two main reasons for this in my mind.  First, he recognizes that, “We are what we repeatedly do.”  We are the sum of our actions, he says.  Second, he reminds us that we can make a habit of bringing a certain quality to our actions – in other words, that it is actually most important that we bring excellence to all the little, daily things that we do.  If we bring excellence to the little things in life, it will add up to excellence in the “bigger” things.

Let’s back up a little bit….

Someone once told me that by the age of 25 we will have already formed our life-habits.  I only partially believe this.  I think that humans are more malleable than that and that new patterns can be established after the age of 25!  I do, however, think that the sooner we incorporate good habits into our life, the better, and that it does get harder to change our habits as we age.

As musicians learning to play an especially challenging and sometimes treacherous instrument, it is very easy to long for a magic wand.  I know I do!  However, what Aristotle offers us is, I believe, far better than a magic wand because it gives us the ability to develop a trust in ourselves over time.

If you are reading this, and you are my student, you already know about some of the habits that are needed if you want to become a professional musician.  A warm-up routine (getting loose and warm and ready to work) and a “daily dues” routine (where you touch on all of the skills you are working on or need to maintain) are absolutely essential daily practices both as a student and throughout a career.

But, just as important as the daily act of going into the practice room and going through your routines are the mental habits you bring to your practice once you are there.

Just as we can train our bodies to to move our air freely and efficiently, and just as we can train our fingers and chops to do all the technical things we need them to do, we can (and must!) ingrain those habits of the mind that are so important for a performing musician – careful listening, an awareness of our bodies and how they work, a mental resilience when things don’t go quite right, and courage to “go for it!” are some of the first mental habits that come to my mind.

Henry David Thoreau, another great observer of nature says:

“As a single footstep will not make a path on the earth, so a single thought will not make a pathway in the mind.  To make a deep physical path, we walk again and again.  To make a deep mental path, we must think over and over the kind of thoughts we wish to dominate our lives.”

What does this mean for you today as you step into your practice room?  It can mean many things, depending on where you are and what you want to accomplish, but everyone can start out by taking a couple breaths and slowing down and bringing your focus gently to the task at hand.  Sometimes if I’m distracted, I even keep a little notebook beside my chair so that if something urgent comes up in my mind, I can write it down with the purpose of paying attention to it later.

I think that, for everyone, it also means learning to be demanding of yourself in a way that helps you, not inhibits you.  In a sort of gentle, patient way.  If you find that your face is tense and your eyes are boring a hole through the music, or if you find that you’re saying things to yourself you would never say to someone else, you might want to relax your gaze, detach a little bit, and do some problem solving with yourself, as if you were your own teacher or your own best friend.

I like to imagine how Aristotle might go about creating a beautiful garden.  He would have a vision of what his garden would look like, and he would have investigated what it takes to create this garden.  He might have even employed a gardening teacher!  Knowing that all things follow certain processes, he would work in the garden daily to tend to his little plants and flowers.  He would pay great attention to the quality of the soil and all of the particulars of what his plants need.  As the plants grow, they sometimes need pruning and guidance – a stake to hold them up, for instance, or some sort of corrective measure.  But he knows that’s OK!  It doesn’t mean the plant is inherently weak or bad – it is just growing and developing and needs some support and guidance along the way.

Every now and then, he might miscalculate the kind of care something needs and a flower comes to an unfortunate end.  But – now he knows how NOT to do it next time, and he can try again.

For those of us tending our musical garden,  there will be lots of trial and error, plenty of starting over again, but the constants are: vision of what you are going for (we do still keep Plato’s ideal somewhat in mind after all!), a daily tending to the garden, and a respect and patience for the natural process of growth.  It’s also helpful to keep in mind that a garden is never a finished product.  There’s always something to be done, something to be tended.  But we still can, like Aristotle, take joy in observing those processes of growth and change.

I will most likely delve into more specific habits as time goes on, but in the meantime, enjoy some time in the soil!

Ideas for further reading:

7 Habits of Highly Effective People, Stephen Covey – this is a great book for helping you recognize what is most important to you in your life, organize time, and live intentionally.

Sophie’s World: A Novel About the History of Philosophy, Jostein Gaarder this a for-fun, whimsical novel that might interest you if you want to learn more about Western philosophy.



Posted in Habits, Philosophy | 2 Comments

What “Good” Is, Or, My Bowl of Pasta

I remember one of my very first meals in Italy.  I had already lived in New York several years at that point, had already traveled pretty widely and I considered myself pretty well-experienced in all things culinary, and I was to a certain extent.  However, it wasn’t until this meal that I really knew what a good bowl of pasta was.  I just knew that, up to that moment, I had never had quite a bowl of pasta so fine.  There wasn’t much of it – it was about the quarter of amount that I would have been served in most American restaurants.  It didn’t have all kinds of exotic accompaniments or wildly crazy things in the sauce.  It was just — perfect.  The pasta and cheese were handmade in the tradition of the region, the olive oil was delicate and sublime, and the basil was fragrant and intense.  After eating, I didn’t feel bloated or weighed down – I felt like I had eaten manna from heaven!  My spirit felt revived, my head clear, and it seemed that life had taken on an added dimension that I hadn’t previously been aware of.  I now knew what “good” was.  At least in the category of pasta.

And what does this have to do with music or horn playing?  I think quite a bit!  As growing musicians, I feel that one of the greatest joys is the process of learning what “good” is.   And it is definitely a process rather than a switch to be flipped.  (Thank goodness – or else we wouldn’t feel the need to be open to anything after the switch had been flipped!)

Why the need to know what “good” is, or, in other words, to learn to recognize components of quality?  Going back to our food analogy, how can a chef train without developing his palate or having a wide experience of tasting food?  So it is with us “chefs of sound”: we must listen!  Not only that, we must listen with a certain attentiveness and desire to discern and understand.

So, taking this a bit farther, I would conjecture that many of the same things that made that bowl of pasta so perfect are the same things that make for great music and great musicians:

Skill – centuries of knowledge and experience went into harvesting and producing the ingredients of the dish as well as putting it all together in the kitchen.  One of the most wonderful things about classical music is that we become part of a tradition and craft that extends back centuries and extends to us over time and across geography to where we are today.  As far as our instrumental skills go, we learn from all those who come before us, inheriting their knowledge of how to recreate the composer’s intent in the most efficient and effective way possible.

Balance – In my bowl of pasta, there was not too much or too little of anything.  I was not overpowered by any one ingredient, but all the parts were expertly put together to make a beautiful, tasty whole.  So it is in good music and with good musicians.  There is a balance, naturalness, and effortless command when you see and hear a great musician or ensemble play, for instance.

Life-giving – So, not that you must have a life- altering experience every time you hear good music or a great musician play.  If that were the case, I would be an exhausted mess!  But there is something about an encounter with a great performance of great music that can expand our existence and broaden our awareness.  Or at the very least, let us get meditate on something of beauty for those moments we are fully engaged in listening.

Now, what if you don’t like pasta?  What if you hate the taste of basil?  That’s OK –  I only think a little less of you!  But you can still appreciate the artfulness and skill and care with which everything came together on that plate, even if you prefer a plate Kobe beef to a bowl of pasta.  And this is where music appreciation and art appreciation classes come in.  Contrary to popular belief, those classes aren’t meant to tell you what to like; rather, they are educating you in the traditions and skills at work, and shedding light on the various ways the human spirit of creativity manifests itself in these traditions.  You still get to follow your own path of exploration and find what you like.

So, how do you discover what is “good”, and beyond that, what you like?  I would say: repeated exposure, a spirit of exploration, and most of all, an open mind.  Fortunately, we don’t have to fly to Italy in order to experience the best of what music has to offer.  Listening is possible right where we are.  We can explore by attending musical events wherever we live, poking around online, and some libraries still have music sections where you can check out recordings.  My favorite way to explore is by “thread.”  I find something that appeals to me, or something I hear about in a music review, or through a friend, and find out all I can about it, and after I’ve absorbed it to the extent that interests me, it usually it leads me somewhere else – either to the composers other works, or to other pieces and composers that influenced him/her.

The classical music world is HUGE with enough room for all kinds of people and all kinds of tastes.  If you are stumped at where to start, here are some of my faves:  If you love big, lush romantic sounds, try listening to Mahler’s Symphony No. 5 or to any Brahms Symphony or Piano Concerto.  If you’re a romantic, but would like something more intimate in feel than an orchestra, try listening to the songs of Reynaldo Hahn.  I especially love Susan Graham’s recording of these.  If life is feeling cluttered and you’d like to have something clean to clear out those cobwebs, try listening to Bach’s Cello Suites or a Mozart Piano Concerto (I love Richard Goode’s recordings with the Orpheus Chamber Orchestra).  If you’re in an edgy mood and would find it interesting to listen to something that caused riots when it premiered, listen to Stravinsky’s Rite of Spring.  If you want something that will shatter your perceptions of what you think classical music is, try listening to John Cage’s Sonatas for Prepared Piano.

The other thing to know is that music is not all Kobe beef or bowls of pasta.  We’ve also got appetizers, the finest and lightest of fluffy desserts, and a post-dinner sips of delicious things to help it all settle.

So have fun listening and adding to the “ingredient” list you will take with you into the practice room and on stage.  And if you are fortunate enough to visit Italy sometime soon, please have a bowl of pasta for me….

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Welcome To Angela’s Horn Studio

Welcome to my first post!  I have to admit that I am a bit of an old-school girl, and entering the blogosphere is something I never thought I would be interested in doing.  So why now?  And why Angela’s Horn Studio?

I guess it all boils down to what I wish for my own students, and wish for everyone with a desire to learn about music.  Since I have no physical studio in an educational institution where one can bop by at nearly any hour of the day and ask me questions, or look at what books I’ve got on my bookshelf, or what recordings I have next to my record player (told you I was old-school!),  I hope that this can be a virtual simulation of that kind of space — a place for resources and guidance and ideas.  Though this blog can be for anyone’s consumption, I’m approaching it with a focus on my own students and will introduce them to my readers and, in some cases, to each other (many of them haven’t met!).   I’m also really looking forward to interviewing some of my former students so that the younger ones can have an idea of the various directions one can go and what people are doing with their musical or non-musical lives, as the case may be.

The other reason for this blog is that I believe this is a highly interesting time in the arts and in music.  The world is changing so quickly, and studies are starting to show that technology is literally changing us – our brains are being changed by the pace of our lives and by the way we interact (or don’t interact) with our various environments.  This is my attempt to use technology as a tool to encourage the kind of in-depth experience that keeps us in the present moment, connected to history and beauty, and that demands our total awareness and absolute best efforts.  There are very few pursuits in this world that encourage this way of being and connecting, and a pursuit in classical music (professionally or not) is one of them!

My ultimate wish for my students, and for any other readers of my blog I pick up along the way, is not that they become the most brilliant professional players in the business (though I have no doubt a few of them might do just that).  My wish is two-fold: that, by experiencing this tradition that contains much of the human race’s greatest and most profound creations, they will be enriched and fed by what they experience;  secondly, that the process of striving for excellence will lead them to learn about themselves and how to attain excellence in all areas of their lives.

I look forward to your comments and interaction –  both with me and with each other – along the way.  Have fun!

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